A continual theme in the journal has been to construct practice-based activities in photography. In parallel, the approaches of acclaimed Japanese photographer Hiroshi Sugimoto (b. 1948) have served as a point in which to deconstruct conceptual art, and reframe it in a design thinking context. This is particularly true in the case of analysing Seascapes back in 2020. The goal then was to interact with the composition for a more tactile purpose.